Brea had just gotten out of her contract with Club Jenna so she was anxious to start shooting again. Of course she came to us first because of our good working relationship. For this layout we set Brea up in front of some natural light coming through our west facing window. I balanced a strobe head with a 10" reflector for the key light and set it to the side a bit to create some drama. Her face is pretty enough that you can use a bit of unconventional lighting when shooting her.